Mostrar mensagens com a etiqueta photography. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta photography. Mostrar todas as mensagens

terça-feira, 22 de janeiro de 2013

Although she was a logical, practical person, she believed that in books there existed a kind of magic. Between the aging covers on these shelves, contained in tiny, abstract black marks on sheets of paper, were voices from the past. Voices that reached into the future, into Claire's own heart and mind, to tell her what they knew, what they'd learned, what they'd seen, what they'd felt. Wasn't that magic?
― Christi Phillips, The Devlin Diary



segunda-feira, 21 de janeiro de 2013

Love, a one-legged bird
I bought for forty cents as a child, and released,
is coming back, my soul in reckless feathers.

― Ilya Kaminsky, Praise
Photo © Diego Martino

domingo, 20 de janeiro de 2013

Eugenio Recuenco & Rammstein

Eugenio Recuenco made a series of photos for the German band Rammstein more resembling Baroque paintings than photography. This is the photographs' series to illustrate Liebe ist für alle da, an album of the German group.










Dissected - Dali, Van Gogh and Picasso

Anatomy of the artists by the advertising agency DDB Brazil for the Art Museum of Sao Paulo (MASP) Art School.




sexta-feira, 18 de janeiro de 2013

"The Foster Twins" by Baldovino Barani


Because no retreat from the world can mask what is in your face.
― Gregory MaguireWicked: The Life and Times of the Wicked Witch of the West

Remorse © Chaerul Umam


Vivienne Westwood’s English National Ballet Rebranding


VIVIENNE WESTWOOD is helping rebrand the English National Ballet with a new campaign that shows the ballet dancers wearing the label's creations. The imagery aims to celebrate a fusion of modernity and tradition.
"I am thrilled that Vivienne Westwood has agreed to let us use her clothes in our first campaign," said ENB artistic director Tamara Rojo. "It's a dream come true to be able to collaborate with someone of such stature.  Her designs capture the creativity and ambition of our dancers who, in turn, add drama and movement to the clothes."
The rebrand features a new logo, new production imagery and a new website, as the ENB strives to champion ballet as a historic art form, while making it contemporary, accessible and relevant. Westwood was chosen as the first of many collaborators to emphasise a "non-conventional but classical image". The campaign - which a Westwood spokesperson described as "a perfect collaboration of English tradition" - was formulated with the help of creative agency The Beautiful Meme.
"It is about taking dancers out of tutus and moving away from conventional backstage images to show the intensity and creativity of the dancers," said The Beautiful Meme creative director Tom Sharp. "The Company's directive is to respect the tradition of ballet but build on it, and our copylines are designed to reflect but challenge a perceived view of the art form. Tamara Rojo inspires unusual collaborations so to create a campaign that combines choreography, amazing fashion and beautiful photography demonstrates her ethos in every single image."





Source: http://www.vogue.co.uk/news/2013/01/17/vivienne-westwood-english-national-ballet-rebranding-campaign

"Last Breathe" by Robert Wun




"Witch" by Ekaterina Romakina



"Black Church" by Heimo Schmidt


quinta-feira, 17 de janeiro de 2013

She seems so cool, so focused, so quiet, yet her eyes remain fixed upon the horizon. You think you know all there is to know about her immediately upon meeting her, but everything you think you know is wrong. Passion flows through her like a river of blood. 
She only looked away for a moment, and the mask slipped, and you fell. All your tomorrows start here. 

― Neil Gaiman, Fragile Things


Waiting © Irina Bolotova

https://www.facebook.com/media/set/?set=a.164783190205983.35729.100000229091983&type=3


Vanessa Cruz by Yulia Gorbachenko

"Nefertiti" by Oleg Prishedko


http://www.photodom.com/member/OlegPN



"Dividuum" by Claudia Rogge


We all wear masks, and the time comes when we cannot remove them 
without removing some of our own skin.
― Andre Berthiaume